Skip to main content

The Glasshouse

Home  →  Artist Development  →  Artists in Residence  →  ako

ako

Artist in Residence 2024-25

ako - nostalgia kid web resized

North East based electronic musician, producer and performer, ako (alias of Simeon Soden) infuses influences from vaporwave with experimental dance music.

ako is an audio-visual experience, using experimental music videos to accompany musical works and performances; employing creative coding, modified games consoles, VHS manipulation, analogue video equipment and CGI.

A common thread in ako’s work is repurposing obsolete audio and video recording / production equipment/ software/ abandonware as rebellion against planned obsolescence and hyper-consumerism.

ako has released music through international labels and got airplay on BBC 6 Music. He’s been selected for Spotify’s official editorial playlists, featured Tom Robinson’s ‘Fresh on the Net’ and on BandCamp Daily. In 2021 ako was commissioned to produce a remix for ‘Eyeliner’ (aka Luke Rowell / Disasteradio) as part of a project and new collection by New Zealand National library.

The artist is part of Badger; a collaborative spoken word, no wave and noise pop project with a debut album on the way. A track from their latest EP was remixed by the Andrew Fearn of the internationally acclaimed Sleaford Mods. ako co-founded Kaneda Records and Northern Electric Festival plus Linebreak Records ,the world’s first cryptocurrency record label in 2018, as part of his PhD research. He previously completed a Masters in Music at Newcastle University.

ako’s Linktree

About ako's Artist in Residence project

ako IMG_2973-01 credit - Andichrist copy web

During his residency, ako will create an audio-visual album in homage to Richard Brautigan’s seminal poetic work on technological utopias ‘All Watched Over by Machines of Loving Grace’. Using creative coding and machine learning algorithms trained on environmental sounds, ecological data and thematic elements related to sustainability, his project will also use adapted obsolete audio and video recording equipment and software, rebelling against the planned obsolescence of the consumer-driven tech industry.

Watch and listen

The Glasshouse International Centre for Music is a PRS Foundation Talent Development Partner supported by PPL

www.prsfoundation.com and www.ppluk.com

The Glasshouse’s Artist In Residence programme is facilitated in partnership with Newcastle University, Mediale and AMP.

 

www.ncl.ac.uk, mediale.org.uk and www.proto.co.uk/advanced-media-productions